utpatti-sthiti-laya-hetavo 'sya kalpāḥ 


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utpatti-sthiti-laya-hetavo 'sya kalpāḥ

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Lord Ananta is an ocean of unlimited spiritual qualities. For the welfare of all living entities within this material world, he resides in his abode, restraining his anger and intolerance until the proper time.

He restrains his anger because at the time of maintenance, it is not suitable to display anger. Amarṣa means intolerance. What arises from intolerance is anger.

 

|| 5.25.7 ||

dhyāyamānaḥ surāsuroraga-siddha-gandharva-vidyādhara-muni-gaṇair anavarata-mada-mudita-vikṛta-vihvala-locanaḥ sulalita-mukharikāmṛtenāpyāyamānaḥ sva-pārṣada-vibudha-yūtha-patīn aparimlāna-rāga-nava-tulasikāmoda-madhv-āsavena mādyan madhukara-vrāta-madhura-gīta-śriyaṁ vaijayantīṁ svāṁ vanamālāṁ nīla-vāsā eka-kuṇḍalo hala-kakudi kṛta-subhaga-sundara-bhujo bhagavān mahendro vāraṇendra iva kāñcanīṁ kakṣām udāra-līlo bibharti.

The devatās, the demons, the Uragas, the Siddhas, the Gandharvas, the Vidyādharas and sages meditate on this form. His eyes rolling about constantly in exuberant joy, he pleases his associates, the leaders of the devatās, by the sweetness of his graceful words. He has a blue cloth, one earring, a plow on his shoulder, and well-placed arms. He wears a gold strap and a garland made beautiful by the sweet singing of bees intoxicated by the fragrant honey from fresh tulasī with unfading hue. Performing numerous pastimes, he appears like Indra’s white elephant.

He pleases the devotees with his charming (sulalita) sweet words. Kakṣām means a strap.

|| 5.25.8 ||

ya eṣa evam anuśruto dhyāyamāno mumukṣūṇām anādi-kāla-karma-vāsanā-grathitam avidyāmayaṁ hṛdaya-granthiṁ sattva-rajas-tamomayam antar-hṛdayaṁ gata āśu nirbhinatti tasyānubhāvān bhagavān svāyambhuvo nāradaḥ saha tumburuṇā sabhāyāṁ brahmaṇaḥ saṁślokayām āsa.

Situated in hearts filled with sattva, rajas and tamas belonging to persons desiring liberation, being the object of their hearing and meditation, Ananta quickly cuts the knot of ignorance tied tightly by impressions of karma arising through endless time. Nārada, the son of Brahmā, glorifies Ananta in Brahmā’s assembly using his tamburu.

Nārada recites verses praising the Lord’s appearance as the puruṣāvatāras.

 

|| 5.25.9 ||



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