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sañcintayed bhagavato vadanāravindam
sañcintayed bhagavato vadanāravindam
yad visphuran-makara-kuṇḍala-valgitena
vidyotitāmala-kapolam udāra-nāsam
One should meditate on the lotus face of the Lord who accepts forms in this world out of compassion for his servants. That face has a raised nose and clear cheeks glittering with the movements of his sparkling makara earrings.
Anukampita belong to the tārakādi class and means “filled with compassion.” The Lord accepts forms in this world by being filled with compassion for his servants, or he accepts forms along with his compassion which will live with him there. “O mercy, essence of my svarūpa-śakti! Among my many forms, accept that form which you like, as your living place.” Thinking in this way he accepts forms. His earrings sway because of the wind created by the cāmaras waved by two servants at the Lord’s sides. Or his earrings sway because of his head shaking caused by clever answers given by his close associates. Or he tilts his head to indicate the skilfulness as he relishes the dancing, singing, instrumental music with various rhythms. The two eyes, dancing with the reflections of the two moving earrings on his cheeks which are mirrors made of the best jewels, become dancing instructors, and make the four makaras (on the earrings and the reflections in the eyes) who have come to their classroom dance. This image should be understood. His nose is raised. Udāra means great and generous. Because of its good manners in tasting, the nose gives full self generously.
|| 3.28.30 ||
yac chrī-niketam alibhiḥ parisevyamānaṁ
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