Hari Priye! The Narahari who emerged from the pillar (stambham) during the HiraNya vadam created stambham(motionlessness) in You by His beautiful and lovely glances.

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lakshmI sahasram

SrngAra stabakam

The eternal divya dampatis!

SLOKAM 1

durj~neya mahimA sA mAm dugdhAbdhi duhitA avatAt |
SrngArarasa saravasvam SeshaSaileSvarasya yA ||

Meaning:

Let the Daughter of the ocean who has supreme qualities, auspicious forms and riches save me from all kinds of fears. She is the one who offers everything related to SrngAra rasam to Her Lord SeshAdrinAthan.

Comments:

Sri Mahalakshmi offers the delectable sthAyI bhAva rasam that is blended with “vibhAva, anubhAva, sAtvika bhAva and vyabhicAra bhAvams” of EmperumAn. The poet prays that SrI MahA Lakshmi should protect him from all kinds of fears.

SLOKAM 2

vihitasmara saurabheNa padme
vividhena amba vilAsa ceshTitena |
ativismayam AdadhAsi Saure:
anubhutA api cirAt apurvavat tvam ||

Meaning:

amba Padme! Even though nArAyaNA has enjoyed SrngAra rasam with You for a very long time, through Your many SrngAra ceshTitams (love plays), You make Him feel as if He is enjoying You for the first time (apUrvavat ativismayam AdadhAsi). apUrvam refers to na drshTam pUrvam (not experienced before). ativismayam stands for the wondrous emotion associated with experiencing the rasam for the first time.

Comments:

When EmperumAn looks at PirATTi He gets excited as if He is seeing Her beautiful form for the first time. She sustains His interest in Her even though they have been united as eternal divya dampatis for a very long time.

SLOKAM 3

kamale tava hanta vIkshitAnAm
kuTilimnA kabalikrtam sadA api |
phaNiSailapate: na jAtu ceta:
pratighopaj~nam upaiti vakrimANam ||

Meaning:

Kamale! SeshAdrinAthan’s heart is forever attracted by Your partial (half- closed), and sideways glances. He is so very much under the influence of those powerful and charming glances that he does not show any anger towards You even during the times of PraNaya kalaham (mock fights).

Comments:

SeshAdrinAthan is attracted by PirATTi’s partial and furtive glances that ladies display as a part of their act of displaying their love to their husbands. However EmperumAn is never subjected to Her partial and angry glances typical of a mock fight. EmperumAn and PirATTi act in such unison that there is never a discord between them, not even as a game. Hence the poet says that EmperumAn does not experience Her partial angry glances.

SLOKAM 4

vishama Ayudha astra sushumAvahai: aho
tava lokamAta: avaloka vibhramai: |
bhagavAn ahIndranagavAsi upASnute
tarasA manoj~natara sAttvika Sriyam ||

Meaning:

LokamAtA! Mother of the world! When EmperumAn, SrinivAsan, who lives on TiruvahIndrapuram hill becomes an object of Your glances that are as beautiful as the flowers that constitute Manmatha’s tortuous odd numbered flower arrows, He attains ‘sAtvika bhAvam’ (sAtvika Sriyam upASnute). What a wonder!

Comments:

Manmatha the god of love is said to possess arrows made of the five flowers lotus, jasmine, mango, aSoka and nIlotpalam. When he shoots his flower arrows at someone that person becomes lovelorn. The poet wonders that PirATTi’s kaTAksham that possesses all the beautiful qualities of these flowers, instead of causing misery like the flowers themselves calms the mind and brings out sAtvika bhAvam in EmperumAn. The kaTAksham accomplishes this in SrinivAsan who resides on the TiruvahIndrapuram hill. TiruvahIndhrapuram is one of the two naDu nATTu tiruppati. This divya desa EmperumAn is considerd by many as Lord SrinivAsan of naDu nADu like SrI Oppiliappan being revered as dakshiNa VenkaTesan. This slokam implies that Lord SrinivAsan gets motivated to play with PirATTi when She casts Her playful and sweet glances (alasam and lalitam ) towards Him.

EmperumAn who makes one sAtvik by glancing at him is Himself turned sAtvik by PirATTi’s glances.

PirATTi’s glances aimed at stirring love in EmperumAn causes Him to display sAtvika bhAvam. This is the reason for the poet’s surprise.

SLOKAM 5

kalaSAbdhiputri valaSAsanAdibhi:
nigamai: anAdi vigamai api stuta: |
chalahetukeshu kalaheshu keSava:
sa bhiyA tava ekam abhiyAcate vaca: ||

Meaning:

Daughter of the ocean! Even though devAs chant the eternal VedAs and eulogize Your Lord, He prefers conversing with You fearing that Your mock fights may lead to a real fight that will end up in You not talking to Him at all.

Comments:

DevAs praise EmperumAn without let by chanting the VedAs. However He prefers talking to PirATTi as Her words are sweeter than the VedAs.

The Lord is attracted by Your sideways glance!

SLOKAM 6

stambhata: svayam avApa sambhavam
ya: purA narahari: haripriye |
SambarAhita vilAsaDambarai:
stambham amba janayati ayam tvayi ||

Meaning:

Comments:

EmperumAn emerged from the stambham following HiraNyakaSipu’s challenge to PrahlAda. He wished to do something in return for the stambham “for housing Him”. So through His lovely glances He stirred the feeling of stambham in PirATTi. Stambham, pralayam and romAncam are various bodily expression of one in love. Among these, stambham represents a form where the person stands immobile due to immense love or fear. EmperumAn, the man lion, whose beauty surpasses the beauty of Manmatha looked at PirATTi, the lady lion with so much love that She was overcome with desire for Him that She could not even move. She stood motionless like a stambham.

In the fourth Slokam, the poet said PirATTi caused stambha bhAvam in EmperumAn. Here he says EmperumAn created the stambha bhAvam in PirATTi.

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