What would you recommend to anybody who wants to write fantasy, specially people who read your work and are inspired by it? 


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What would you recommend to anybody who wants to write fantasy, specially people who read your work and are inspired by it?

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The best is not for me to say. Ask a hundred fans and seventy [or more] will say Legend is the best. But look around on the net and you will find other fans talking of Lion of Macedon, Morningstar, Waylander, Ravenheart, and others. The most enjoyable was Legend. It was written without the pressures of publishing, the expectations of critics and fans, and the need to pay bills through writing. It was just a joy to put together, written quietly in evenings or lunch hours.

4) What would you recommend to anybody who wants to write fantasy, specially people who read your work and are inspired by it?

Writing is an acquired skill. You dont get good at it unless you write and write and write. Many people tell me they'd love to write a book, or that they will one day 'when they have the time'. Writing is like marathon running. You dont just pull on a pair of trainers and run 26 miles. You work at it, building stamina, struggling through cramps and muscle strains. Writing is no different. My advice to writers is dont talk about it, do it.

5) Upon the completion of the Troy series do you plan to write something else about the ancient civilizations, or will you go back to the Drenai? Yet you have also mentioned an interest in the Native American tribes, are we likely to see a standalone or the continuation of another series such as the Rigante?

For reasons too personal to go into I have no plans at the moment for what will follow Troy. I would like to visit the Rigante one more time. I would also like to complete the Skilgannon series. There is also a Byzantine character who fascinates me, and would make a wonderful book. Time will tell.

6) Of all the characters that you have created, which one has given you the most joy to write?

Druss the Legend. I love that old boy more than I can say. I dont think I ever wrote a single line of his dialogue. I just threw a situation at him and the words leapt on to the page. Just as if he was speaking himself. Once years ago, when typing a Druss piece in a newspaper office during a lunch hour I suddenly said: 'Damn, I wish I'd said that!' My friend George looked at me as if I was loony. 'You did say it DG,' he said, softly. 'I was watching you type it.'

'No,' I said. 'That was Druss. I cant come up with dialogue like that.'



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